Showing posts with label politics. Show all posts
Showing posts with label politics. Show all posts

Friday, October 30, 2015

Laksmi Pamuntjak on Indonesia after the Frankfurt bookfair

In the British newspaper guardian (Oct 27/2015) the Indonesian novelist Laksmi Pamuntjak published a remarkable essay which seems to be important for understanding the strange performance of the country as guest of honor at the Frankfurt bookfair this year:

>>
"Even by the standards of post-totalitarian nations’ lingering paranoia the last month in
Indonesia has seen a disheartening return to Suharto-era tropes of repression and neurosis

A week ago I received a message from Janet DeNeefe, director of the Ubud Writers and
Readers Festival.

“I just wanted to let you know that the UWRF is being censored this year, and we have been
told to remove all programs to do with ‘1965’,” she wrote. “Or else next year they will
not give us a permit to hold the festival.”

I felt a chill when I read these lines, and a faint sense of absurdity that accompanied
the sting. For one, I was on my European book tour, having done almost nothing else in the
past one and a half month but speak to German and Dutch audiences about my novel, an epic
love story set against the backdrop of the Indonesian anti-communist purges of 1965.

In Düsseldorf or Erfurt, Amsterdam or the Hague, I encountered nothing but genuine empathy
and solidarity for Indonesians’ collective struggle to come to terms with our violent past
as well as to render tangible justice for an untold many. It was particularly so in
Germany, with its experience of national trauma.

This brings us to the irony of current domestic politics. For have Indonesians not, in the
past 17 years since the fall of the Suharto regime, enjoyed a measure of hard-earned
freedom from fear, censorship, and from restrictions to creativity?

Have we not witnessed the unprecedented burgeoning of new expression, in forms and
language so alien to the 32-year pit out of which it was born? Have we not experienced, in
the Ubud Writers and Readers Festival, a literary forum which for 12 years has been able
to keep the “1965” discourse alive without any state intervention?

Have we not pledged ourselves to the quest for alternative histories, for new ways of
seeing and thinking about the world? Have we not seen the infrastructure of freedom so
long devalued – bookstores, publishing houses, the press – finally standing up for
themselves and giving people their voices back?

Have we not heard of private screenings – known by the abbreviation nobar (nonton bareng;
watching together) – of Joshua Oppenheimer’s film The Act of Killing? Screenings that keep
popping up despite crackdowns by the authorities, suggesting that Indonesians know what
they want and are resourceful enough to get it?

Up until a month ago, we still tended to look on the 17 years of political and cultural
renaissance as a triumph of the collective memory. Or, rather, the failure of Fascism’s
central conceit: that domination does not breed resistance to itself.

If the calamity of authoritarianism gave Indonesian democracy its cause, this past month
threatens to show that the rifts Suharto tore in our body politic may never be mended.
That censorship should coincide with the 50th anniversary of the genocide might be the key
to understanding why that is.

However, if in the past month I was tentative in my public discussion of the festival
censorship – stopping short, in other words, of saying that there is a rise of
neo-anti-communism in Indonesia – it has become harder to do so now. Similar incidents
that occurred within a few days of each other smack of a disheartening return to old
tropes of official neurosis: taken together, they suggest an eerie revival of the Suharto era.

Take the case of Tom Iljas, a 77-year-old former political exile in Sweden. He was
arbitrarily arrested and deported earlier this month for visiting a mass grave of 1965
victims in West Sumatra, in search of the final resting place of his father.

The irony of having been barred from coming home 50 years ago, only to be banished once
more in so-called peaceful times, tests the limits of humiliation. In a statement, Iljas
and his supporters said: “[J]ust to look at the mass graves of family members we still get
terror and intimidation ... We recognise that what is happening is the result of efforts
for reconciliation and the fulfilment of the rights of victims.”

Even by the standards of post-totalitarian nations, with their lingering paranoia and
tendency to be consecrated to the memory of official ideology and legitimacy of power,
this incident was quite stunning in its audacity. It was utterly lacking in substance –
legal, moral or otherwise.

The other case, no less Suhartoesque, concerns the confiscation and burning of the Satya
Wacana University student magazine Lentera. The students produced a special 10 October
edition, which explored the 1965 purges in Salatiga. Reportedly, the mayor, police and
military complained after the magazine was distributed. The student editors were
interrogated on 18 October, and the whole 500-copy print run was torched. Editor Bima
Satria Putra told Tempo magazine that the university – incidentally no stranger to
reformist activism and progressive thought – was also reprimanded by the police.

“Where they have burned books, they will end in burning human beings,” Heinrich Heine
famously said, and yet, in present day Indonesia, there is something almost caricatural to
this offence.

For one, it brings us right back to the second half of the 80s and the first half of the
90s, when you couldn’t count the number of student arrests for producing and distributing
“subversive” material. The normalisation of campus life (Normalisasi Kehidupan Kampus)
decree of April 1978 and coordinating body for student affairs (Badan Koordinasi Kampus)
formed the NKK/BKK policy that forced Indonesia’s system of higher education to its knees.
That acronym became shorthand for the death of universities and the death of thinking in
Suharto’s Indonesia.

The other inglorious incident that occurred within the past month happens to concern
myself, although I would not lose sleep over it. The morning I arrived in Frankfurt, some
10 hours before the opening of the 67th Frankfurt Book Fair in which Indonesia was the
guest of honour, the press officer of our National Committee informed me that some Muslim
groups had been demonstrating against me and a fellow author in front of one of the
ministries in Jakarta.

When I asked whatever for, he replied: “For being at the forefront of the national
committee’s alleged active promotion of Communism at the fair.” My first instinct at the
time was perversely self-congratulatory in nature. Not for being demonstrated against,
but, rather, for encountering some kind of confirmation of a deeply-held personal theory:
that in the past 17 years, the great dichotomy that used to characterise the Suharto
dictatorship – the state, versus civil society – has been replaced by the increasing
aggression of hard-line Muslim groups seeking to force their values on the vast diversity
that is Indonesia. Yet I came to this conclusion before the news of the repatriation of
Tom Ilyas and the barbaric act committed against the student body of the Satya Wacana
University had reached my ears.

Indeed, there appeared a darker, older supervising power that has kept this process under
surveillance all along, and the realisation that this was the case hit me quite hard. For
the truth of the matter is that political Islam in Indonesia rarely ever acts alone in its
quest for hegemony. Its alliance with the military has seen its members, particularly from
the Nahdlatul Ulama, committing many of the killings between 1965 and 1968.

Stoked by frequent evocations of the Madiun Affair of 1948, in which Communist rebels
murdered some Muslim leaders before they were defeated, many Muslims were sold on the idea
that they were victims of Communist aggression. For many youths, executing Communists was
a religious duty.

This symbiotic relationship was demonstrated again less than a month ago at the 50th
anniversary commemoration of the murder of six army generals and one lieutenant – part of
an attempted coup that was attributed by Suharto to the Indonesian Communist party. At the
start of the event, both the Jakarta chief of police and the head of the menacing hardline
Muslim group Islamic Defenders Front grandly denounced Communism in one of the starkest
public shows of their partnership to date.

I should have realised it then, as I should have heeded an earlier portent: the moment the
chief of South Jakarta police turned up with a militant Islamic group at an art centre
three years ago, to crack down on a public lecture by the reformist Muslim intellectual
Irshad Manji.

However, to say Communism is an empty threat, given Suharto made sure that nothing was
left of Communism in Indonesia, is of course to miss the point. Anti-Communist propaganda
has worked before as a legitimising basis of power and control, and a variation on it will
work again given how deeply conditioned a large majority of Indonesians still are by the
old regime’s official history.

What we are witnessing is not the rise of neo-anti-communism per se, even if it seems that
way on the surface; instead, anti-communism is merely a pretext for state terrorism and
heightened control in the larger, and a more concerning scheme of a re-militarisation of
government.

To many seasoned analysts of Indonesian politics, this volte-face might come as no
surprise. Yet the hard-earnedness of reformasi – the period of democratic transition that
followed Suharto’s reign – may have imprinted a certain intractability upon those who had
fought for it, if not a downright refusal to accept the possibility of a regression of any
kind.

Still. There is no denying the telltale signs. The return to anti-communist rhetoric as a
pretext for state intimidation. The return to the culture of fear when there is nothing to
fear of except for the healthy probings of historical inquiry that are essential to a
nation’s healing.

President Joko Widodo has not helped matters much through his refusal to apologise to
victims of the anti-Communist slaughter. His last message on the issue – that an apology
is impossible when both sides claim to be victims – may give us no relief. However,
despite civil society’s best efforts, it may be the clearest picture yet of where we are
in our struggle against forgetting. This does not mean we should lose hope. We may be on
the brink of sliding back into the dark ages, but we have always known how to fight back.
<<

Saturday, January 10, 2015

A quote for my muslim friends (after the "Charlie Hebdo" assassinations in Paris)

"Do not let yourselves provoke now! ... The devastating of this terrible attack was (also) that it perverted the sides: It has changed the Muslims from the position of the victim to the one of the perpetrators and brought the French journal from the attacker to the victim." The magazine Charlie Hebdo of course has deliberately offended Muslims with the publication of cartoons depicting the prophet and of course it was appropriate that the Muslims would defend their prophet, but: "This must however be done with wisdom and understanding!"

Mohammed Mokhtar Gomaa, the Egyptian Minister of Religious Endowments, preached at the friday prayer (9th January 2015) of the Sultan Hasan Mosque in Cairo.

Source: German weekly newspaper "Die Zeit

Unfortunately most German media did not report much about Merabet Ahmed, the French policeman who was murdered by the unscrupulous assassins on Wednesday in Paris. Merabet was injured in the street near the editorial office of "Charlie Hebdo", as one of the hooded perpetrators approached him and without hesitation shot in the head killing him. Merabet was a Muslim. The Muslim activist Dyab Abou Jajah wrote Thursday on Twitter: "I'm not Charlie, I'm Ahmed, the dead policeman. Charlie Hebdo was making fun of my faith and culture, and I died for his right to do that."

Tuesday, October 14, 2014

RABET or How to win a Revolution without bloodshed (novel)


Thist novel about the peaceful revolution of soviet-occupied East-Germany in 1989 was originally published in 1999 in German language with the title: "Rabet oder das Verschwinden einer Himmelsrichtung - Rabet or The Disappearance of a Cardinal Point" (via verbis publishing, Munich). It was translated into Italian and Indonesian languages and partly also into Czech and English.

About the Novel: A German journalist narrates the events in Leipzig from 1987-1990 to his unknown daughter in New York.  Events which he has not talked about in years, absurd stories and the feeling of an era he thought long gone, begin to manifest themselves.  For the first time in German literature the story of the peaceful revolution is told from the perspective of a revolutionary.  The fictional characters exist in an authentic, historic background.  This novel hauntingly describes the interior dynamics of the events which began the German revolution, and the dreams, disenchantment and moments of joy lived by real-life protagonists.  Through this book, it becomes clear how truly these dynamics are still at work today.


Content: Benjamin Grasmann, an aspiring musician from the provinces, breaks out to the East German city of Leipzig.  While there, he falls in love and meets deeply inspirational artists of the Opposition.  He soon finds himself caught up in the opposition's conflicts with the socialist regime.  As small upheavals and demonstrations become commonplace, more and more of his friends are arrested.  The news of his lover's pregnancy arrives at the peak of political conflict, the struggle for supremacy grows inevitable, and not just Leipzig, but the whole of the GDR hangs in the balance.  And Benjamin Grasmann finds himself right in the middle.


Voices about the book:
Martin Jankowski belongs to the most interesting voices of a new generation of East-German writers... (Caroline Wyatt, BBC)

We've had to wait ten years for this book! (Thomas Meyer, Leipziger Volkszeitung)

Rarely have the final scenes of East German history been described in such a realistic and at the same time hilarious manner.” (Wolfgang Engler, Sociologist, director of the Ernst Busch Actors School Berlin) 

"Very authentic ... describes how young people in particular in Leipzig fought against the system froze - and it finally brought to falter." (STERN Extra 4/2009, "Against the wall in the head")

...one of the few novels in which the European dimension of the revolution is expressed... the representation of the split between those protesters willing to leave and those who wanted to stay is unique...it seems to be a legend of change contrary to events. Jankowski is one of the few authors who makes not only critical, but ironic commentary." (Frank Thomas Grub, Wende und Einheit im Spiegel der deutschsprachigen Literatur 2003, de Gruyter Berlin New York)

Jankowski is making his way into German literature... (Sabine Neubert, ND-Kultur)

Sunday, September 21, 2014

On Indonesian Literature ...

With Indonesia, a country will present itself as guest of honor at the Frankfurt Book Fair in the fall of 2015 (the world's lagest book fare in general), wich's literature in the Western perception plays only a minor role and is a widely unknown in the global literature. This > big Unknown < Martin Jankowski approaches in his new book »Reading Indonesia" by various essays and interviews and takes a closer look at the stylistically and geographically extremely high contrasted heterogeneous literary landscape of the country. Discussions, articles and essays (2002-2014) explore the social background of the Indonesian literature's cultural complexity and provide an introductory overview of this overwhelmingly large scene.

Release date: 17 September 2014. (
195 pages, paperback, size 210 x 130 mm, ISBN 978-3-940132-66-6, In German language. MORE.)

Tuesday, January 21, 2014

beyond the time (offline pirates)

bite your chip  
off the sub skin
its so incredibly

easy to escape:
hook enter
black & out




Tuesday, December 10, 2013

Digital Totalitarianism

 Join the manifest:
 A STAND FOR DEMOCRACY IN THE DIGITAL AGE
In the 80ies me and my family were observed and under pressure of the East-German secret service STASI. All my American and British friends were shocked of what these non-democratic tool of opression did to us during the Cold War. Now, long time after the Cold War has ended, the secret services of the USA and the UK start to observe us all without any democtratic legality and control. Is it really the year of 2013, dear friends?! If the Anglo-American secret services (supported by Canada, New Sealand and Australia) and their illegal disctruction of all our data privacy become international then also our demand for democratic control of those dubious institutions must become international ...

No clandestine mass electronic surveillance data mining! Internet control must compeletly be controlled by democratic institutions like parliaments and official courts etc.! Save the internet, save the self-determination, save the freedom of each individuum!

Sunday, November 17, 2013

Roberto Yanez in Berlin ...

On Friday, Nov 1st, the German-Chilean poet and painter Roberto Yanez from Santiago de Chile visited our literary salon at Kollwitzplatz in Berlin. He read some new poems on the occassion of launching his first German poetry book "Frühlingsregen" (Insel Verlag/Suhrkamp 2013) which is illustrated by his own paintings. (He also launched an exhibition of his pictures later in Berlin.) The special thing about Roberto: He is the grandson of Margot an Erich Honecker, last heads of state of the GDR until the time of the fall of the wall in 1989. Of course Roberto is tightly related to his grandparents until today but in a personal not in a political way. (Erich Honecker died in Chile in 1993, Margot is still alive an in a constant contact with him.) Roberto abruptly left Berlin with his family and went to Chile for good when he was 15 years old.
  Now it was for the first time that he came back to Germany and his hometown Berlin. As a poet who was pursued by the socialist secret service of the GDR (Stasi) at this time it was a pleasure for me now, after 23 years, to invite Roberto, who became a poet too in the meantime, for a reading to our salon ... (HERE a link to a song i wrote about his grandfather in 1989...)

And THIS is his song about his personal reunion with Berlin ...

Wednesday, March 13, 2013

Poetry on stairs

During the Brasilian FLUPP literature festival some young people of the favela Prazeres in St. Teresa/Rio de Janeiro wrote poems on their public staircases - amongst them also my poem "festival of seconds (sekundenfest)". Thank you guys for this amazing idea! Look ...


My recommendation: Visit fascinating Rio de Janeiro and look for this!

Tuesday, November 27, 2012

Kafka about Egyptian president Mursi

Franz Kafka when asked what he thought of the (Russian) Revolution:

"These people are so confident and funny. They are masters of the streets and think they are the masters of the world. They are wrong. (...) The more the flood spreads, the more shallow and turbid becomes the waterThen the revolution
evaporates and leaves just the mud of a new bureaucracy."


(Gustav Janouch:.. Conversations with Kafka, memories and records Frankfurt 1951, p.71)


Wednesday, November 21, 2012

Monday, November 12, 2012

What was up at the FLUPP in Rio?

From 7 to 11 November 2012 Rio de Janeiro's first literature festival in a favela (in Prazares at St. Teresa) took place: FLUPP! It was really an EXTRAORDINARY FESTIVAL because the audience and the concept was quite different from anything else in the world. I took part there in the program of "poets between bombs and spys" to talk about my experiences in the East German oppositional movement of 1989 in Leipzig (which lead to the fall of the wall in Berlin). THIS is what I answered to the question of the very engaged favela TV during the festival ... 



There is a detailed German blog written by me and illustrated with many photos about every day of the festival (see links - german blog).  The teeangers of the favela neighbourhood Prazares painted a quote from the lyrics of my song "sekundenfest" (from the novel "Rabet") an the stairs of their way to the top of the hill in Rio - St Teresa... (Brasilian-Portuguese version by Carlos Abbenseth; to read from the bottom stair to the top.) Muito obrigado, thank you Flavio, Charles & the others!! And congratulations to Toni Marques and his engaged team for this unique successful event.
 
FLUPP has now been nominated for the Make a Difference Award, which is an annual award given by O Globo newspaper. 

O Globo is part of Organizações Globo, the largest news and entertainment media group in Brazil and one of the largests in the world.

Some Brasilian press articles in Portuguese language concering this:

O segundo dia da FLUPP - Globo (Rio de Janeiro),  10. November 2012

FLUPP no Morro dos Prazares - machete online, 9. November 2012
 

Arte entre bombas opressao e espioes - FLUPP Blog, 9. November 2012

Novas vozes da periferia - Globo
(Rio de Janeiro),  3. November 2012

Wednesday, November 7, 2012

tsunami baby


the newest wave is coming baby
i don’t know if you know
what that means

i’m sitting here on the mountain baby
la france beats hawaii in the question of coasts
musk is fortunately already out again
professional experience absolutely required
3D in real-time becoming standard
and pink is the upcoming colour

i, high above, have the overbite overview
novels and film-trilogies are winning the race
whoever is clever prints the explicit lyrics
of the soundtrack promptly in various languages
my verdict on the water-levels blusters unrestrained
on the downward open laughing richter scale
see you tomorrow baby I’ll be right back after a short
application break with the latest insights

good for nothing
but ready for anything
i sit on the mountain baby
near the giant dishes
in clothes that calculate
and receive pictures
near the shining dishes
with which we browse the universe
in london they saw up cows
as artwork in bangkok they
have cockroaches as friends

the newest wave is coming baby
i don’t know if you know
what that means

if you want to know
what you should do baby
look for your own style
I will send you the catalogues

                from "sekundenbuch", poems, Leipziger Literaturverlag 2012.
English version by Martin Jankowski & Rebecca Jany.