tag:blogger.com,1999:blog-36300835244586510862024-03-14T07:43:49.388+01:00butterfly warwriter's sketchbookMartin Jankowskihttp://www.blogger.com/profile/04047458871849353872noreply@blogger.comBlogger56125tag:blogger.com,1999:blog-3630083524458651086.post-49290041391743464462017-04-22T11:52:00.000+02:002017-06-16T10:54:00.372+02:00stadtsprachen magazin - multilingual literature from Berlin<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-WGV7t1z-Vlg/WPsmc6fhLbI/AAAAAAAAA6Y/szpiwXKCQHUJs9J0ihOsxIMyDTYTQGnfACLcB/s1600/stadtsprachen-release-no-1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://3.bp.blogspot.com/-WGV7t1z-Vlg/WPsmc6fhLbI/AAAAAAAAA6Y/szpiwXKCQHUJs9J0ihOsxIMyDTYTQGnfACLcB/s320/stadtsprachen-release-no-1.jpg" width="214" /></a></div>
<div style="text-align: justify;">
<span class="" id="result_box" lang="en"><span title="Das neue Online-Magazin für die vielsprachige Gegenwartsliteratur Berlins feierte im April 2017 sein erstes Release: Im Fokus des stadtsprachen magazins stehen in Berlin lebende Schriftsteller*innen, die ihre Texte nicht auf Deutsch verfassen.">The
new online magazine for the multilingual contemporary literary
literature of Berlin celebrated its first release in April 2017.
Berlin's living writers, who do not write their texts in German, are the
focus of the city's language magazine. </span><span title="Vorgestellt auf www.stadtsprachen.de werden 26 Texte von 22 Autor*innen und mehr als 21 Übersetzer*innen – in 13 Sprachen, von Arabisch über Georgisch bis Yoruba.">Presented
at www.stadtsprachen.de will be 26 texts by 22 authors and more than
21 translators in 13 languages, from Arabic to Georgian to Yoruba! </span><span title="Im Original und meist mit deutscher Übersetzung sind die Texte in mehreren Sprachen verfügbar.
">In the original and mostly with German translation the texts are also available in several languages like English, Spanish or French etc.</span><span title="Die Autor*innen der ersten Ausgabe des stadtsprachen magazins: Rasha Abbas, Jùmọké Bọlanle Adéyanju, Esther Andradi, Kevin Shih-Hung Chen, Dario Deserri, Dmitiri Dragilew, The Dung, Federico Federici, Iunona Guruli, Andrej Hočevar, Tolgahan Kaftan, Kenan Khadaj"> </span></span></div>
<div style="text-align: justify;">
<span class="" id="result_box" lang="en"><span title="Die Autor*innen der ersten Ausgabe des stadtsprachen magazins: Rasha Abbas, Jùmọké Bọlanle Adéyanju, Esther Andradi, Kevin Shih-Hung Chen, Dario Deserri, Dmitiri Dragilew, The Dung, Federico Federici, Iunona Guruli, Andrej Hočevar, Tolgahan Kaftan, Kenan Khadaj">.</span></span></div>
<div style="text-align: justify;">
<span class="" id="result_box" lang="en"><span title="Die Autor*innen der ersten Ausgabe des stadtsprachen magazins: Rasha Abbas, Jùmọké Bọlanle Adéyanju, Esther Andradi, Kevin Shih-Hung Chen, Dario Deserri, Dmitiri Dragilew, The Dung, Federico Federici, Iunona Guruli, Andrej Hočevar, Tolgahan Kaftan, Kenan Khadaj">The
author of the first edition of the city's language magazine: Rasha
Abbas, Juhméké Bọlanle Adéyanju, Esther Andradi, Kevin Shih-Hung Chen,
Dario Deserri, Dmitri Dragilev, The Dung, Federico Federici, Iunona
Guruli, Andrej Hočevar, Tolgahan Kaftan, Kenan Khadaj </span><span title=", Göksu Kunak, Rafael Mantovani, Steve Mekoudja, Luísa Nóbrega, Denise Pereira, Elsye Suquilanda, Menekşe Toprak, Kinga Tóth, Yimeng Wu und Érica Zíngano.
">, Göksu Kunak, Rafael Mantovani, Steve Mekoudja, Luísa Nóbrega, Denise
Pereira, Elsye Suquilanda, Menekşe Toprak, Kinga Tóth, Yimeng Wu and
Érica Zíngano.</span><span title="Die folgende Ausgabe des stadtsprachen magazins wird voraussichtlich am 8. Juni 2017 erscheinen."> </span></span></div>
<div style="text-align: justify;">
<span class="" id="result_box" lang="en"><span title="Die folgende Ausgabe des stadtsprachen magazins wird voraussichtlich am 8. Juni 2017 erscheinen.">.</span></span></div>
<div style="text-align: justify;">
<span class="" id="result_box" lang="en"><span title="Die folgende Ausgabe des stadtsprachen magazins wird voraussichtlich am 8. Juni 2017 erscheinen.">The following edition of the onlie magazine is expected to be published on June 8, 2017. </span><span title="Die weiteren Ausgaben werden derzeit vorbereitet.">Further editions are currently being prepared. </span><span title="(Die Redaktion nimmt gerne Textvorschläge und Blogbeiträge von nicht-deutschsprachigen Berliner Autor*innen entgegen.
">(The editors gladly accept text proposals and blog contributions from non-German-speaking Berlin based authors.)</span><span title="Zentrales Anliegen der STADTSPRACHEN ist es, den Blick dafür zu schärfen, dass deutsche Gegenwartsliteratur keineswegs nur auf Deutsch geschrieben wird (überigens nicht erst seit heute)."> </span></span></div>
<div style="text-align: justify;">
<span class="" id="result_box" lang="en"><span title="Zentrales Anliegen der STADTSPRACHEN ist es, den Blick dafür zu schärfen, dass deutsche Gegenwartsliteratur keineswegs nur auf Deutsch geschrieben wird (überigens nicht erst seit heute).">.</span></span></div>
<div style="text-align: justify;">
<span class="" id="result_box" lang="en"><span title="Zentrales Anliegen der STADTSPRACHEN ist es, den Blick dafür zu schärfen, dass deutsche Gegenwartsliteratur keineswegs nur auf Deutsch geschrieben wird (überigens nicht erst seit heute).">The
central concern of the STADTSPRACHEN is to raise the view that German
literature is not only written in German (actually since centuries). </span><span title="Das Magazin erschließt die spannendsten Autoren und ihre Texte der vierlsprachigen Berliner Literaturszene, in dem sie deren Texte übersetzt und sowohl online zugänglich macht, als auch in regelmäßigen Lesungen und Symposien angemessen präsentiert!
">The magazine finds out the most exciting authors and their texts of the multilingual Berlin literary scene by translating their texts
and make them accessible online as well as presenting them in regular
readings and symposia!</span><span title="Herzlich willkommen auf einer Entdeckungsreise zu den unerforschten literarischen Schätzen der aktuellen Berliner Literaturszene!
"> </span></span></div>
<div style="text-align: justify;">
<span class="" id="result_box" lang="en"><span title="Herzlich willkommen auf einer Entdeckungsreise zu den unerforschten literarischen Schätzen der aktuellen Berliner Literaturszene!
">.</span></span></div>
<span class="" id="result_box" lang="en"><span title="Herzlich willkommen auf einer Entdeckungsreise zu den unerforschten literarischen Schätzen der aktuellen Berliner Literaturszene!
">Welcome to a discovery trip to the unexplored literary treasures of the current Berlin literature scene!</span><span title="www.stadtsprachen.de
"><b> </b></span></span><br />
<span class="" id="result_box" lang="en"><span title="www.stadtsprachen.de
"><b>.</b></span></span><br />
<h2 style="text-align: left;">
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<a href="http://www.stadtsprachen.de/en" target="_blank"><img alt="www.stadtsprachen.de/en" border="0" data-original-height="1024" data-original-width="735" height="400" src="https://3.bp.blogspot.com/-oWLPPzG8bYo/WUOcIA8XHqI/AAAAAAAAA64/9IFi7erlJiMkOJS0KnzaQ3XhpHhb657RACLcBGAs/s400/release-no-2-cover-final-1-735x1024.jpg" width="286" /></a></div>
<span class="" id="result_box" lang="en"><a href="http://www.stadtsprachen.de/"><span title="www.stadtsprachen.de
"><b>www.stadtsprachen.de</b></span></a><span title="www.facebook.com/stadtsprachen
"> </span></span></h2>
<span class="" id="result_box" lang="en"><span title="www.facebook.com/stadtsprachen
">www.facebook.com/city languages</span><span title="twitter.com/stadtsprachen
"><br /></span></span><span class="" id="result_box" lang="en"><span title="twitter.com/stadtsprachen
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</span></span><span class="" id="result_box" lang="en"><span title="twitter.com/stadtsprachen
"></span></span><br />
<div class="MsoNormal">
<i>twitter.com/stadtsprachen</i></div>
<div class="MsoNormal">
<i>. </i></div>
<span class="" id="result_box" lang="en"><span title="Kontakt:
">Contact:</span><span title=">> Birger Hoyer, Joey Bahlsen (Redaktion stadtsprachen magazin): info@stadtsprachen.de
"> >> Birger Hoyer, Joey Bahlsen (editors of stadtsprachen magazin): info@stadtsprachen.de </span><span title=">> Anna Giannessi (Pressereferentin): presse@stadtsprachen.de
">>> Anna Giannessi (press officer): presse@stadtsprachen.de </span><span title=">> Martin Jankowski (Herausgeber): info@berliner-literarische-aktion.de
">>> Martin Jankowski (publisher): info@berliner-literarische-aktion.de</span><span title="stadtsprachen magazin, c/o Berliner Literarische Aktion, Kastanienallee 2, 10435 Berlin
"> </span></span><br />
<span class="" id="result_box" lang="en"><span title="stadtsprachen magazin, c/o Berliner Literarische Aktion, Kastanienallee 2, 10435 Berlin
">.</span></span><br />
<span class="" id="result_box" lang="en"><span title="stadtsprachen magazin, c/o Berliner Literarische Aktion, Kastanienallee 2, 10435 Berlin
">Berlin Literary Action, Kastanienallee 2, 10435 Berlin</span><span title="Tel.: 030 – 53 15 59 63
">, Tel .: 030 - 53 15 59 63</span></span></div>
Martin Jankowskihttp://www.blogger.com/profile/04047458871849353872noreply@blogger.com0tag:blogger.com,1999:blog-3630083524458651086.post-43489573796752790572015-10-30T09:05:00.001+01:002015-10-30T09:06:55.614+01:00Laksmi Pamuntjak on Indonesia after the Frankfurt bookfair<div dir="ltr" style="text-align: left;" trbidi="on">
In the British newspaper <i>guardian </i>(Oct 27/2015) the Indonesian novelist Laksmi Pamuntjak published a remarkable essay which seems to be important for understanding the strange performance of the country as guest of honor at the Frankfurt bookfair this year:<br />
<br />
>> <br />
"Even by the standards of post-totalitarian nations’ lingering paranoia the last month in <br />
Indonesia has seen a disheartening return to Suharto-era tropes of repression and neurosis<br />
<br />
A week ago I received a message from Janet DeNeefe, director of the Ubud Writers and <br />
Readers Festival.<br />
<br />
“I just wanted to let you know that the UWRF is being censored this year, and we have been <br />
told to remove all programs to do with ‘1965’,” she wrote. “Or else next year they will <br />
not give us a permit to hold the festival.”<br />
<br />
I felt a chill when I read these lines, and a faint sense of absurdity that accompanied <br />
the sting. For one, I was on my European book tour, having done almost nothing else in the <br />
past one and a half month but speak to German and Dutch audiences about my novel, an epic <br />
love story set against the backdrop of the Indonesian anti-communist purges of 1965.<br />
<br />
In Düsseldorf or Erfurt, Amsterdam or the Hague, I encountered nothing but genuine empathy <br />
and solidarity for Indonesians’ collective struggle to come to terms with our violent past <br />
as well as to render tangible justice for an untold many. It was particularly so in <br />
Germany, with its experience of national trauma.<br />
<br />
This brings us to the irony of current domestic politics. For have Indonesians not, in the <br />
past 17 years since the fall of the Suharto regime, enjoyed a measure of hard-earned <br />
freedom from fear, censorship, and from restrictions to creativity?<br />
<br />
Have we not witnessed the unprecedented burgeoning of new expression, in forms and <br />
language so alien to the 32-year pit out of which it was born? Have we not experienced, in <br />
the Ubud Writers and Readers Festival, a literary forum which for 12 years has been able <br />
to keep the “1965” discourse alive without any state intervention?<br />
<br />
Have we not pledged ourselves to the quest for alternative histories, for new ways of <br />
seeing and thinking about the world? Have we not seen the infrastructure of freedom so <br />
long devalued – bookstores, publishing houses, the press – finally standing up for <br />
themselves and giving people their voices back?<br />
<br />
Have we not heard of private screenings – known by the abbreviation nobar (nonton bareng; <br />
watching together) – of Joshua Oppenheimer’s film The Act of Killing? Screenings that keep <br />
popping up despite crackdowns by the authorities, suggesting that Indonesians know what <br />
they want and are resourceful enough to get it?<br />
<br />
Up until a month ago, we still tended to look on the 17 years of political and cultural <br />
renaissance as a triumph of the collective memory. Or, rather, the failure of Fascism’s <br />
central conceit: that domination does not breed resistance to itself.<br />
<br />
If the calamity of authoritarianism gave Indonesian democracy its cause, this past month <br />
threatens to show that the rifts Suharto tore in our body politic may never be mended. <br />
That censorship should coincide with the 50th anniversary of the genocide might be the key <br />
to understanding why that is.<br />
<br />
However, if in the past month I was tentative in my public discussion of the festival <br />
censorship – stopping short, in other words, of saying that there is a rise of <br />
neo-anti-communism in Indonesia – it has become harder to do so now. Similar incidents <br />
that occurred within a few days of each other smack of a disheartening return to old <br />
tropes of official neurosis: taken together, they suggest an eerie revival of the Suharto era.<br />
<br />
Take the case of Tom Iljas, a 77-year-old former political exile in Sweden. He was <br />
arbitrarily arrested and deported earlier this month for visiting a mass grave of 1965 <br />
victims in West Sumatra, in search of the final resting place of his father.<br />
<br />
The irony of having been barred from coming home 50 years ago, only to be banished once <br />
more in so-called peaceful times, tests the limits of humiliation. In a statement, Iljas <br />
and his supporters said: “[J]ust to look at the mass graves of family members we still get <br />
terror and intimidation ... We recognise that what is happening is the result of efforts <br />
for reconciliation and the fulfilment of the rights of victims.”<br />
<br />
Even by the standards of post-totalitarian nations, with their lingering paranoia and <br />
tendency to be consecrated to the memory of official ideology and legitimacy of power, <br />
this incident was quite stunning in its audacity. It was utterly lacking in substance – <br />
legal, moral or otherwise.<br />
<br />
The other case, no less Suhartoesque, concerns the confiscation and burning of the Satya <br />
Wacana University student magazine Lentera. The students produced a special 10 October <br />
edition, which explored the 1965 purges in Salatiga. Reportedly, the mayor, police and <br />
military complained after the magazine was distributed. The student editors were <br />
interrogated on 18 October, and the whole 500-copy print run was torched. Editor Bima <br />
Satria Putra told Tempo magazine that the university – incidentally no stranger to <br />
reformist activism and progressive thought – was also reprimanded by the police.<br />
<br />
“Where they have burned books, they will end in burning human beings,” Heinrich Heine <br />
famously said, and yet, in present day Indonesia, there is something almost caricatural to <br />
this offence.<br />
<br />
For one, it brings us right back to the second half of the 80s and the first half of the <br />
90s, when you couldn’t count the number of student arrests for producing and distributing <br />
“subversive” material. The normalisation of campus life (Normalisasi Kehidupan Kampus) <br />
decree of April 1978 and coordinating body for student affairs (Badan Koordinasi Kampus) <br />
formed the NKK/BKK policy that forced Indonesia’s system of higher education to its knees. <br />
That acronym became shorthand for the death of universities and the death of thinking in <br />
Suharto’s Indonesia.<br />
<br />
The other inglorious incident that occurred within the past month happens to concern <br />
myself, although I would not lose sleep over it. The morning I arrived in Frankfurt, some <br />
10 hours before the opening of the 67th Frankfurt Book Fair in which Indonesia was the <br />
guest of honour, the press officer of our National Committee informed me that some Muslim <br />
groups had been demonstrating against me and a fellow author in front of one of the <br />
ministries in Jakarta.<br />
<br />
When I asked whatever for, he replied: “For being at the forefront of the national <br />
committee’s alleged active promotion of Communism at the fair.” My first instinct at the <br />
time was perversely self-congratulatory in nature. Not for being demonstrated against, <br />
but, rather, for encountering some kind of confirmation of a deeply-held personal theory: <br />
that in the past 17 years, the great dichotomy that used to characterise the Suharto <br />
dictatorship – the state, versus civil society – has been replaced by the increasing <br />
aggression of hard-line Muslim groups seeking to force their values on the vast diversity <br />
that is Indonesia. Yet I came to this conclusion before the news of the repatriation of <br />
Tom Ilyas and the barbaric act committed against the student body of the Satya Wacana <br />
University had reached my ears.<br />
<br />
Indeed, there appeared a darker, older supervising power that has kept this process under <br />
surveillance all along, and the realisation that this was the case hit me quite hard. For <br />
the truth of the matter is that political Islam in Indonesia rarely ever acts alone in its <br />
quest for hegemony. Its alliance with the military has seen its members, particularly from <br />
the Nahdlatul Ulama, committing many of the killings between 1965 and 1968.<br />
<br />
Stoked by frequent evocations of the Madiun Affair of 1948, in which Communist rebels <br />
murdered some Muslim leaders before they were defeated, many Muslims were sold on the idea <br />
that they were victims of Communist aggression. For many youths, executing Communists was <br />
a religious duty.<br />
<br />
This symbiotic relationship was demonstrated again less than a month ago at the 50th <br />
anniversary commemoration of the murder of six army generals and one lieutenant – part of <br />
an attempted coup that was attributed by Suharto to the Indonesian Communist party. At the <br />
start of the event, both the Jakarta chief of police and the head of the menacing hardline <br />
Muslim group Islamic Defenders Front grandly denounced Communism in one of the starkest <br />
public shows of their partnership to date.<br />
<br />
I should have realised it then, as I should have heeded an earlier portent: the moment the <br />
chief of South Jakarta police turned up with a militant Islamic group at an art centre <br />
three years ago, to crack down on a public lecture by the reformist Muslim intellectual <br />
Irshad Manji.<br />
<br />
However, to say Communism is an empty threat, given Suharto made sure that nothing was <br />
left of Communism in Indonesia, is of course to miss the point. Anti-Communist propaganda <br />
has worked before as a legitimising basis of power and control, and a variation on it will <br />
work again given how deeply conditioned a large majority of Indonesians still are by the <br />
old regime’s official history.<br />
<br />
What we are witnessing is not the rise of neo-anti-communism per se, even if it seems that <br />
way on the surface; instead, anti-communism is merely a pretext for state terrorism and <br />
heightened control in the larger, and a more concerning scheme of a re-militarisation of <br />
government.<br />
<br />
To many seasoned analysts of Indonesian politics, this volte-face might come as no <br />
surprise. Yet the hard-earnedness of reformasi – the period of democratic transition that <br />
followed Suharto’s reign – may have imprinted a certain intractability upon those who had <br />
fought for it, if not a downright refusal to accept the possibility of a regression of any <br />
kind.<br />
<br />
Still. There is no denying the telltale signs. The return to anti-communist rhetoric as a <br />
pretext for state intimidation. The return to the culture of fear when there is nothing to <br />
fear of except for the healthy probings of historical inquiry that are essential to a <br />
nation’s healing.<br />
<br />
President Joko Widodo has not helped matters much through his refusal to apologise to <br />
victims of the anti-Communist slaughter. His last message on the issue – that an apology <br />
is impossible when both sides claim to be victims – may give us no relief. However, <br />
despite civil society’s best efforts, it may be the clearest picture yet of where we are <br />
in our struggle against forgetting. This does not mean we should lose hope. We may be on <br />
the brink of sliding back into the dark ages, but we have always known how to fight back.<br />
<<<br />
<br /></div>
Martin Jankowskihttp://www.blogger.com/profile/04047458871849353872noreply@blogger.com0tag:blogger.com,1999:blog-3630083524458651086.post-25661527949445280152015-06-09T09:52:00.000+02:002015-06-09T09:57:11.748+02:00JURNAL SAJAK - special edition in German language<div dir="ltr" style="text-align: left;" trbidi="on">
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<b style="mso-bidi-font-weight: normal;"><u>Das indonesische
Poesiemagazin JURNAL SAJAK– einmalige deutsche Sonderausgabe</u></b><br />
<br />
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<![endif]--><a href="http://4.bp.blogspot.com/-PJNZ83NnEcU/VXaZgErCz-I/AAAAAAAAA4E/jYMn-jMD9k4/s1600/FINAL%2BCOVER%2BJURnal%2BSajak%2BEdisi%2BJERMAN-page-001.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="275" src="http://4.bp.blogspot.com/-PJNZ83NnEcU/VXaZgErCz-I/AAAAAAAAA4E/jYMn-jMD9k4/s400/FINAL%2BCOVER%2BJURnal%2BSajak%2BEdisi%2BJERMAN-page-001.jpg" width="400" /></a><span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; line-height: 115%; mso-ansi-language: DE; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Indonesiens
Literatur ist für viele deutsche Leser noch immer eine große Unbekannte.
Insbesondere die vielfältige Poesie des riesigen Äquatorarchipels (250 Mio
Einwohner) bietet eine faszinierende Fülle an Stimmen und Formen, die es zu
entdecken lohnt. Einer der führenden Gegenwartsdichter Indonesiens, Agus R.
Sarjono, hat nun gemeinsam mit dem deutschen Literaturwissenschaftler und
Indonesienkenner Berthold Damshäuser eine aktuelle Auswahl an Texten der
wichtigsten Poeten Indonesiens zusammengestellt, übersetzt und gemeinsam mit
einführenden Essays und Artikeln für neugierige deutsche Leser au</span><span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; line-height: 115%; mso-ansi-language: DE; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">fbereitet. </span><span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; line-height: 115%; mso-ansi-language: DE; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> </span><br />
<br />
<span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; line-height: 115%; mso-ansi-language: DE; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Erstmals erscheint ein einführender Überblick über die
Lyrikszene des tropischen Äquatorarchipels als Sonderausgabe von Indonesiens
wichtigstem Literaturmagazin für Lyrik – ein Gruß der indonesischen
Literaturszene an die deutschen Leser. Und eine Entdeckungsreise in die
vielstimmigen Poesielandschaften<span style="mso-spacerun: yes;"> </span>der
drittgrößten Demokratie der Welt.</span><br />
<span style="font-size: large;"> <b> </b></span><br />
<span style="font-size: large;"><b>Jurnal Sajak –
zeitgenössische indonesische Lyrik</b></span>
<span style="font-size: large;"><b>Deutschsprachiges Sonderheft 2015</b> herausgegeben von Agus R. Sarjono und Berthold Damshäuser, 160 Seiten, Schutzgebühr 9,90 € (inklusive Versand 12,- €) </span></div>
<div class="MsoNormal">
<span style="font-size: large;">>> In Europa zu beziehen über: Berliner Literarische Aktion (Kastanienallee 2, 10435 Berlin), </span><span style="font-size: large;"><u><b>Bestellung nur per E-Mail:</b></u><b> <br />info@berliner-literarische-aktion.de</b></span></div>
</div>
Martin Jankowskihttp://www.blogger.com/profile/04047458871849353872noreply@blogger.com0tag:blogger.com,1999:blog-3630083524458651086.post-90165846801004416912015-03-27T21:41:00.001+01:002015-03-27T21:41:06.827+01:00The real value of newest contemporary arts <div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
<b class="b3">the work of</b><b class="b2"> art in </b><b class="b3">the age </b><b class="b4">of </b><b class="b5">its technical rep</b><b class="b4">rod</b><b class="b3">uci</b><b class="b2">bilit</b><b class="b1">y! </b></div>
<div class="separator" style="clear: both; text-align: center;">
<b class="b1"><br /></b></div>
<div class="separator" style="clear: both; text-align: center;">
<iframe width="320" height="266" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/4BlLX03OJRU/0.jpg" src="http://www.youtube.com/embed/4BlLX03OJRU?feature=player_embedded" frameborder="0" allowfullscreen></iframe></div>
<br />
<div style="text-align: center;">
<a href="http://www.andersen.sdu.dk/vaerk/hersholt/TheEmperorsNewClothes_e.html" target="_blank">The emperor's new clothes.</a></div>
</div>
Martin Jankowskihttp://www.blogger.com/profile/04047458871849353872noreply@blogger.com0tag:blogger.com,1999:blog-3630083524458651086.post-68009485637216291932015-03-07T13:48:00.000+01:002015-03-07T13:48:43.165+01:00Vernal Flowers ...<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen="" class="YOUTUBE-iframe-video" data-thumbnail-src="https://ytimg.googleusercontent.com/vi/c-rdEKcvClg/0.jpg" frameborder="0" height="266" src="http://www.youtube.com/embed/c-rdEKcvClg?feature=player_embedded" width="320"></iframe></div>
<br />
<b>Must checkout these absolut amazing cuban-yoruba twins from Paris: IBEYI.</b><br />
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(Please listen and watch <u><i>everything</i></u> you can find of them - the best videos can unfortunately not be seen and linked from Germany...)</div>
Martin Jankowskihttp://www.blogger.com/profile/04047458871849353872noreply@blogger.com0tag:blogger.com,1999:blog-3630083524458651086.post-28310510977738710012015-02-03T22:12:00.000+01:002015-02-14T16:04:45.625+01:00Beauty is given (to us) (for free!)<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen="" class="YOUTUBE-iframe-video" data-thumbnail-src="https://ytimg.googleusercontent.com/vi/M1Q-EbX6dso/0.jpg" frameborder="0" height="266" src="http://www.youtube.com/embed/M1Q-EbX6dso?feature=player_embedded" width="320"></iframe></div>
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Martin Jankowskihttp://www.blogger.com/profile/04047458871849353872noreply@blogger.com0tag:blogger.com,1999:blog-3630083524458651086.post-52382033156834474472015-01-23T21:25:00.002+01:002015-01-23T21:25:31.686+01:00poetry conference (poem)<div dir="ltr" style="text-align: left;" trbidi="on">
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(the future of poetry)</span></i></b></div>
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<br /></div>
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<span lang="EN-GB" style="font-family: "Microsoft Sans Serif","sans-serif"; font-size: 12.0pt; line-height: 150%; mso-ansi-language: EN-GB;">the poets are talking inside</span></div>
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<br /></div>
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<br /></div>
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<span lang="EN-GB" style="font-family: "Microsoft Sans Serif","sans-serif"; font-size: 12.0pt; line-height: 150%; mso-ansi-language: EN-GB;">may be I am not a poet</span></div>
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</span></span></div>
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<span lang="EN-GB" style="font-family: "Microsoft Sans Serif","sans-serif"; font-size: 12.0pt; line-height: 150%; mso-ansi-language: EN-GB;">about the future </span></div>
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<span lang="EN-GB" style="font-family: "Microsoft Sans Serif","sans-serif"; font-size: 12.0pt; line-height: 150%; mso-ansi-language: EN-GB;">of poetry</span></div>
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<br /></div>
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Martin Jankowskihttp://www.blogger.com/profile/04047458871849353872noreply@blogger.com0tag:blogger.com,1999:blog-3630083524458651086.post-65271727347329281942015-01-19T17:04:00.003+01:002015-01-19T17:04:55.837+01:00German Hippie Wisdom (playing)<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/gHY2cq-WtPM?feature=player_embedded' frameborder='0'></iframe></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<span style="font-size: x-small;">Listen!! (Klaus Weiland)</span></div>
</div>
Martin Jankowskihttp://www.blogger.com/profile/04047458871849353872noreply@blogger.com0tag:blogger.com,1999:blog-3630083524458651086.post-23081106180950876472015-01-10T17:41:00.000+01:002015-01-10T19:41:35.101+01:00A quote for my muslim friends (after the "Charlie Hebdo" assassinations in Paris)<div dir="ltr" style="text-align: left;" trbidi="on">
<span class="" id="result_box" lang="en">"Do not <span class="hps">let yourselves</span> <span class="hps">provoke now</span>! <span class="hps atn">... </span>The <span class="hps">devastating</span> <span class="hps">of</span> <span class="hps">this terrible attack</span> <span class="hps">was (also) that it </span><span class="hps">perverted the</span> <span class="hps">sides</span>: <span class="hps">It has changed the</span> <span class="hps">Muslims</span></span><span class="" id="result_box" lang="en"><span class="hps"><span class="" id="result_box" lang="en"> </span></span></span><span class="" id="result_box" lang="en"><span class="hps">from</span> <span class="hps">the position of the</span> <span class="hps">victim</span> </span><span class="" id="result_box" lang="en"><span class="hps"><span class="" id="result_box" lang="en"><span class="hps">to th</span>e one <span class="hps">of the perpetrators</span></span></span><span class="hps"> and</span> <span class="hps">brought</span> <span class="hps">the</span> French <span class="hps">journal from</span> <span class="hps">the attacker</span> <span class="hps">to</span> <span class="hps">the victim.</span>" The magazine <i><span class="hps">Charlie</span> <span class="hps">Hebdo</span> </i><span class="hps">of course has </span></span><span class="" id="result_box" lang="en"><span class="hps"><span class="" id="result_box" lang="en"><span class="hps">deliberately </span></span>offended </span></span><span class="" id="result_box" lang="en"><span class="hps"><span class="" id="result_box" lang="en"><span class="hps">Muslims</span> </span></span><span class="hps">with</span> <span class="hps">the</span> <span class="hps">publication of cartoons depicting the prophet</span> <span class="hps">and of course</span> <span class="hps">it was appropriate</span> <span class="hps">that the Muslims</span> <span class="hps">would</span> <span class="hps">defend</span> <span class="hps">their prophet</span>, but: <span class="hps">"This must</span> <span class="hps">however be done</span> <span class="hps">with</span> <span class="hps">wisdom and understanding</span><span class="">!"</span></span><br />
<br />
<span class="" id="result_box" lang="en"><span class=""></span></span><i><span class="" id="result_box" lang="en"><span class="hps">Mohammed</span> <span class="hps">Mokhtar</span> <span class="hps">Gomaa</span>, the Egyptian <span class="hps">Minister</span> <span class="hps">of Religious Endowments</span>, <span class="hps">preached at the friday prayer (9th January 2015) of the</span> <span class="hps">Sultan</span> <span class="hps">Hasan</span> <span class="hps">Mosque in Cairo.</span></span></i><br />
<br />
<i><span class="" id="result_box" lang="en"><span class="hps"><span style="font-size: xx-small;">Source: German weekly newspaper "<a href="http://www.zeit.de/gesellschaft/2015-01/charlie-hebdo-moscheen-freitagsgebete-imame/seite-4" target="_blank">Die Zeit</a>" </span></span></span></i><br />
<br />
<span class="" id="result_box" lang="en"><span class="hps"><span style="font-size: xx-small;"><span style="font-size: small;"><span class="" id="result_box" lang="en"><span class="hps">Unfortunately most German media did not report much about </span><span class="hps"></span><span class="hps">Merabet</span> <span class="hps">Ahmed</span>, <span class="hps">the French policeman who was murdered</span> <span class="hps">by</span> <span class="hps">the </span></span></span></span></span></span><span class="" id="result_box" lang="en"><span class="hps"><span style="font-size: xx-small;"><span style="font-size: small;"><span class="" id="result_box" lang="en"><span class="hps"><span class="short_text" id="result_box" lang="en"><span class="hps">unscrupulous </span></span>assassins</span> <span class="hps">on Wednesday</span> in Paris<span class="hps"></span><span class="hps"></span><span class="hps">.</span> <span class="hps">Merabet</span> <span class="hps">was</span> <span class="hps">injured</span> <span class="hps">in the street</span> <span class="hps">near the</span> <span class="hps">editorial</span> <span class="hps">office of</span> <span class="hps">"Charlie</span> <span class="hps">Hebdo</span>", <span class="hps">as one</span> <span class="hps">of the hooded</span> <span class="hps">perpetrators</span> <span class="hps">approached him</span> <span class="hps">and without hesitation</span> <span class="hps">shot in the head</span> <span class="hps">killing him</span>. <span class="hps">Merabet</span> <span class="hps">was</span> a <span class="hps">Muslim.</span> <span class="hps">The Muslim</span> <span class="hps">activist</span> <span class="hps">Dyab</span> <span class="hps">Abou</span> <span class="hps">Jajah</span> <span class="hps">wrote</span> <span class="hps">Thursday on</span> <span class="hps">Twitter:</span> <span class="hps">"<i>I'm not</i></span><i> <span class="hps">Charlie, I</span>'m <span class="hps">Ahmed</span>, the dead <span class="hps">policeman</span>. </i><span class="hps">Charlie</span> <span class="hps">Hebdo</span><i><span class="hps"> was making fun of</span> <span class="hps">my faith and</span> <span class="hps">culture</span>, <span class="hps">and I</span> <span class="hps">died for</span> <span class="hps">his right to</span> <span class="hps">do that.</span></i><span class="">"</span></span></span></span></span></span><i><span class="" id="result_box" lang="en"><span class="hps"><span style="font-size: xx-small;"> </span></span></span></i></div>
Martin Jankowskihttp://www.blogger.com/profile/04047458871849353872noreply@blogger.com0tag:blogger.com,1999:blog-3630083524458651086.post-83391967924830391272014-12-22T20:28:00.000+01:002014-12-22T22:53:32.153+01:00The silence of the world before BACH<div dir="ltr" style="text-align: left;" trbidi="on">
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<span class="postbody"><span style="font-style: italic;">Die Stille der Welt vor Bach</span>
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<br />
Es muss eine Welt gegeben haben vor
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der Triosonate in D, eine Welt vor der a-moll-Partita,
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aber was war das für eine Welt?
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Ein Europa der großen leeren Räume ohne Widerhall
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voll von unwissenden Instrumenten,
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wo das <span style="font-style: italic;">Musikalische Opfer </span>und das <span style="font-style: italic;">Wohltemperierte Klavier</span>
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noch über keine Klaviatur gegangen sind.
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Einsam gelegene Kirchen,
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in denen nie die Sopranstimme der Matthäuspassion
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sich in hilfloser Liebe um die sanfteren
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Bewegungen der Flöte gerankt hat,
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wie sanfte Landschaften,
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wo nichts zu hören ist als die Äxte alter Holzfäller,
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das muntere Bellen starker Hunde im Winter
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und Schlittschuhe auf blankem Eis wie ferne Glocken;
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die Schwalben, die durch die Sommerluft schwirren,
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die Muschel, in die das Kind hineinhorcht,
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und nirgends Bach, nirgends Bach.
<br />
Die Schlittschuhstille der Welt vor Bach. </span><br />
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<span class="postbody">(LARS GUSTAFSSON, dt. V. Reichel) </span></div>
Martin Jankowskihttp://www.blogger.com/profile/04047458871849353872noreply@blogger.com0tag:blogger.com,1999:blog-3630083524458651086.post-38399310370839390422014-11-26T21:07:00.001+01:002014-11-26T21:26:42.754+01:00(get) the OVERLOOK (hotel) ...<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="http://4.bp.blogspot.com/-SJHonxNNNE4/VHR8UMXfzNI/AAAAAAAAAyA/VpSDniy0-bY/s1600/IMG_0716.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="http://4.bp.blogspot.com/-SJHonxNNNE4/VHR8UMXfzNI/AAAAAAAAAyA/VpSDniy0-bY/s1600/IMG_0716.JPG" height="240" width="320" /></a><a href="http://2.bp.blogspot.com/-cGcZI2v3bpY/VHR8bHinmYI/AAAAAAAAAyI/K2pjXVUj6CY/s1600/IMG_0722.JPG" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"></a><a href="http://2.bp.blogspot.com/-f4m8NdCqohU/VHR8Jg8W-iI/AAAAAAAAAx4/-KZBK0OIR4w/s1600/IMG_0710.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-f4m8NdCqohU/VHR8Jg8W-iI/AAAAAAAAAx4/-KZBK0OIR4w/s1600/IMG_0710.JPG" height="150" width="200" /></a> </div>
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<a href="http://2.bp.blogspot.com/-cGcZI2v3bpY/VHR8bHinmYI/AAAAAAAAAyI/K2pjXVUj6CY/s1600/IMG_0722.JPG" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-cGcZI2v3bpY/VHR8bHinmYI/AAAAAAAAAyI/K2pjXVUj6CY/s1600/IMG_0722.JPG" height="150" width="200" /></a>If you drive for about one hour south east of Portland (Oregon), the road starts rising up to hills. The trees will become bigger and the hills turn into giant grey
rocks hiding the blank sky. Then it is time to enter the steep slim
side road to the left up to the top of a blinding white cone shimmering
in the the strong sunlight of a clear autumn day. </div>
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<a href="http://1.bp.blogspot.com/-CHQIoqKlQ5I/VHR8zdXS8PI/AAAAAAAAAyY/4gJMs5uDjgs/s1600/IMG_0729.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="http://1.bp.blogspot.com/-CHQIoqKlQ5I/VHR8zdXS8PI/AAAAAAAAAyY/4gJMs5uDjgs/s1600/IMG_0729.JPG" height="150" width="200" /></a>When you finally arrive over the clouds you will soon understand that you are standing on an old vulcano which is part of a chain called Cascadia. In the south you see Mt Jefferson, to the north there is Mt St Helens (last outbreak May 1980). And you are, somewhere inbetween, on Mt Hood. Welcomed by a raven who was waiting for you for a very long time. </div>
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And then you see something that seems very familiar to you although you could have never been here before. It does not look nice or friendly at all, so you start wondering why you feel so much at home on a place that you definitly have never been before. Its a giant wooden house, squatting on the stony side of the vulcano. </div>
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It is a special spirit all around. </div>
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A house haunted by people who never were here.</div>
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<br />
A photo of a new years night suddenly tells you why your memory believes you have
been here before. You know this place from a movie. From a very special
<a href="http://en.wikipedia.org/wiki/The_Shining_%28film%29" target="_blank"> movie</a>. <br />
<br />
<a href="http://2.bp.blogspot.com/-HubNKCsWCkw/VHR--oiBT4I/AAAAAAAAAzk/xRUWYMNp2bk/s1600/IMG_0763.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-HubNKCsWCkw/VHR--oiBT4I/AAAAAAAAAzk/xRUWYMNp2bk/s1600/IMG_0763.JPG" height="240" width="320" /></a>AND THEN YOU REMEMBER.<br />
<h1 class="firstHeading" id="firstHeading" lang="en">
<span dir="auto">All work and no play makes Jack a dull boy.</span></h1>
This is the place of the fictive fiction writer Jack Torrance. You never forgot him.<br />
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Welcome to the <a href="http://www.timberlinelodge.com/the-shining/" target="_blank">Overlook hotel</a>.</div>
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You can check out any time you like. But you can never leave.</div>
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Martin Jankowskihttp://www.blogger.com/profile/04047458871849353872noreply@blogger.com1tag:blogger.com,1999:blog-3630083524458651086.post-22888022429268167712014-10-15T14:35:00.002+02:002014-10-15T14:59:04.950+02:00The day that changed Germany: Leipzig, 9th October 1989 (Why could the FALL OF THE BERLIN WALL happen?)<div dir="ltr" style="text-align: left;" trbidi="on">
How to win a revolution without bloodshed...<br />
East Germany 1989.<br />
<br />
<b>Why could the FALL OF THE BERLIN WALL happen?</b><br />
<b>(And why was everybody suprised about that?)</b><br />
<a href="http://1.bp.blogspot.com/-X0rrIXBNM3o/VD5psFw3LzI/AAAAAAAAAeY/BdXom1X7dQE/s1600/martin%2B1990.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="http://1.bp.blogspot.com/-X0rrIXBNM3o/VD5psFw3LzI/AAAAAAAAAeY/BdXom1X7dQE/s1600/martin%2B1990.jpg" height="145" width="200" /></a><br />
<b><a href="http://www.bbc.com/news/magazine-29573625" target="_blank"><u>Video</u></a></b> (BBC-Interview, Oct 2014).<br />
<br />
<b><a href="http://www.bbc.co.uk/programmes/p02871nn" target="_blank">Audio</a></b> (BBC-Interview, extended version, Oct 2014). <br />
<br />
<b><a href="http://butterflywar.blogspot.de/2014/10/rabet-or-how-to-win-revolution-without.html" target="_blank"><u>Novel</u></a></b> (Rabet, Munich 1999).<br />
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<a href="http://www.martin-jankowski.de/?p=texte_essay" target="_blank"><u><b>History book</b></u> </a><span style="font-size: xx-small;">(The day that changed Germany, Leipzig 2007).</span></div>
Martin Jankowskihttp://www.blogger.com/profile/04047458871849353872noreply@blogger.com0tag:blogger.com,1999:blog-3630083524458651086.post-51245390110744679332014-10-14T13:08:00.000+02:002014-10-15T16:13:33.841+02:00RABET or How to win a Revolution without bloodshed (novel)<div dir="ltr" style="text-align: left;" trbidi="on">
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<![endif]--><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="mso-bidi-font-family: "Times New Roman";">Thist novel about the peaceful revolution of soviet-occupied East-Germany in 1989 was originally published in 1999 in German language with the title: "</span></b><span style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="mso-bidi-font-family: "Times New Roman";"><a href="http://de.wikipedia.org/wiki/Rabet_%28Roman%29" target="_blank">Rabet oder das Verschwinden einer Himmelsrichtung</a> </span></span><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="mso-bidi-font-family: "Times New Roman";">- Rabet or The Disappearance of a Cardinal Point" </span></b><span style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="mso-bidi-font-family: "Times New Roman";">(via verbis publishing, Munich).</span></span><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="mso-bidi-font-family: "Times New Roman";"> </span></b><span style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="mso-bidi-font-family: "Times New Roman";">It was translated into Italian and Indonesian languages and partly also into Czech and English.</span></span><br />
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="mso-bidi-font-family: "Times New Roman";"><br /></span></b></div>
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<a href="http://3.bp.blogspot.com/-UlRskz0-kzg/VD0Bwv0MMHI/AAAAAAAAAdw/_whY8tkSDT0/s1600/buch.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-UlRskz0-kzg/VD0Bwv0MMHI/AAAAAAAAAdw/_whY8tkSDT0/s1600/buch.jpg" height="200" width="131" /></a><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="mso-bidi-font-family: "Times New Roman";">About the Novel:</span></b><span lang="EN-US" style="mso-bidi-font-family: "Times New Roman";"></span><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="mso-bidi-font-family: "Times New Roman";"> </span></b><span lang="EN-US" style="mso-bidi-font-family: "Times New Roman";">A
German journalist narrates the events in Leipzig from 1987-1990 to his unknown
daughter in New York.<span style="mso-spacerun: yes;"> </span>Events which he
has not talked about in years, absurd stories and the feeling of an era he
thought long gone, begin to manifest themselves.<span style="mso-spacerun: yes;"> </span>For the first time in German literature the
story of the peaceful revolution is told from the perspective of a
revolutionary.<span style="mso-spacerun: yes;"> </span>The fictional characters
exist in an authentic, historic background.<span style="mso-spacerun: yes;">
</span>This novel hauntingly describes the interior dynamics of the events which
began the German revolution, and the dreams, disenchantment and moments of joy
lived by real-life protagonists.<span style="mso-spacerun: yes;"> </span>Through
this book, it becomes clear how truly these dynamics are still at work today.</span>
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<a href="http://3.bp.blogspot.com/-j4NWxaBBBd0/VD0DCunnHYI/AAAAAAAAAeI/nZ_XytDCIMg/s1600/rabet_indonesia.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="http://3.bp.blogspot.com/-j4NWxaBBBd0/VD0DCunnHYI/AAAAAAAAAeI/nZ_XytDCIMg/s1600/rabet_indonesia.jpg" height="200" width="138" /></a><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="mso-bidi-font-family: "Times New Roman";">Content: </span></b><span lang="EN-US" style="mso-bidi-font-family: "Times New Roman";">Benjamin Grasmann, an
aspiring musician from the provinces, breaks out </span><span lang="EN-US" style="mso-bidi-font-family: "Times New Roman";">to the East German city of
Leipzig.<span style="mso-spacerun: yes;"> </span>While there, he falls in love
and meets deeply inspirational artists of the Opposition.<span style="mso-spacerun: yes;"> </span>He soon finds himself caught up in the
opposition's conflicts with the socialist regime.<span style="mso-spacerun: yes;"> </span>As small upheavals and demonstrations become
commonplace, more and more of his friends are arrested.<span style="mso-spacerun: yes;"> </span>The news of his lover's pregnancy arrives at
the peak of political conflict, the struggle for supremacy grows inevitable,
and not just Leipzig, but the whole of the GDR hangs in the balance.<span style="mso-spacerun: yes;"> </span>And Benjamin Grasmann finds himself right in
the middle. </span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="mso-bidi-font-family: "Times New Roman";">Voices about the book:</span></b><span lang="EN-US" style="mso-bidi-font-family: "Times New Roman";"></span><br />
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<span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ascii-font-family: "Liberation Serif";">“</span><i><span lang="EN-US" style="mso-bidi-font-family: "Times New Roman";">Martin Jankowski belongs to the
most interesting voices of a new generation of East-German writers...</span></i><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ascii-font-family: "Liberation Serif";">”</span><span lang="EN-US" style="mso-bidi-font-family: "Times New Roman";">
(Caroline Wyatt, BBC)</span></div>
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<i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ascii-font-family: "Liberation Serif";">“</span></i><i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="mso-bidi-font-family: "Times New Roman";">We've had to wait ten years for this book!</span></i><i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ascii-font-family: "Liberation Serif";">”</span></i><i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="mso-bidi-font-family: "Times New Roman";"> </span></i><span lang="EN-US" style="mso-bidi-font-family: "Times New Roman";">(Thomas Meyer,
Leipziger Volkszeitung)</span></div>
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<span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ascii-font-family: "Liberation Serif";">“</span><i><span lang="EN-US" style="mso-bidi-font-family: "Times New Roman";">Rarely have the final scenes of
East German history been described in such a realistic and at the same time
hilarious manner.</span></i><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ascii-font-family: "Liberation Serif";">” (Wolfgang Engler, Sociologist, director of the <i>Ernst Busch Actors School </i>Berlin) </span></div>
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<span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ascii-font-family: "Liberation Serif";"><span class="" id="result_box" lang="en"><span class="hps">"<i>Very authentic</i></span><i> <span class="hps">...</span> <span class="hps"></span><span class="hps">describes</span> <span class="hps">how</span> <span class="hps">young people in particular</span> <span class="hps">in</span> <span class="hps">Leipzig</span> <span class="hps">fought</span> <span class="hps">against</span> <span class="hps">the</span> <span class="hps">system</span> <span class="hps">froze</span> <span class="hps">-</span> <span class="hps">and</span> <span class="hps">it</span> <span class="hps">finally</span> <span class="hps">brought</span> </i><span class="hps"><i>to falter</i>.</span>"<span class="hps"></span> <span class="hps atn">(</span>STERN <span class="hps">Extra</span> <span class="hps">4/2009</span>, <span class="hps">"Against</span> <span class="hps">the wall</span> <span class="hps">in the head"</span>)</span> </span><span lang="EN-US" style="mso-bidi-font-family: "Times New Roman";"></span></div>
<span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ascii-font-family: "Liberation Serif";"></span><span lang="EN-US" style="mso-bidi-font-family: "Times New Roman";"></span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ascii-font-family: "Liberation Serif";"> </span><br />
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<span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ascii-font-family: "Liberation Serif";"></span><span lang="EN-US" style="mso-bidi-font-family: "Times New Roman";"></span><i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="mso-bidi-font-family: "Times New Roman";"> </span></i><span lang="EN-US" style="mso-bidi-font-family: "Times New Roman";"></span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ascii-font-family: "Liberation Serif";">“</span><span lang="EN-US" style="mso-bidi-font-family: "Times New Roman";">...<span style="mso-bidi-font-style: normal;">one of the few novels in which the European dimension of the revolution
is expressed... <i>the representation of the split between those protesters
willing to leave and those who wanted to stay is unique</i>...it seems to be a
legend of change </span></span><span style="mso-bidi-font-style: normal;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ascii-font-family: "Liberation Serif";">–</span></span><span style="mso-bidi-font-style: normal;"><span lang="EN-US" style="mso-bidi-font-family: "Times New Roman";"> contrary to events.
<i>Jankowski is one of the few authors who makes not only critical, but ironic
commentary.</i>" </span></span><span lang="EN-US" style="mso-bidi-font-family: "Times New Roman";">(Frank
Thomas Grub, </span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ascii-font-family: "Liberation Serif";">“</span><span lang="EN-US" style="mso-bidi-font-family: "Times New Roman";">Wende und Einheit im Spiegel der
deutschsprachigen Literatur</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ascii-font-family: "Liberation Serif";">”</span><span lang="EN-US" style="mso-bidi-font-family: "Times New Roman";"> 2003, de Gruyter Berlin </span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ascii-font-family: "Liberation Serif";">–</span><span lang="EN-US" style="mso-bidi-font-family: "Times New Roman";">
New York)</span></div>
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<span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ascii-font-family: "Liberation Serif";">“</span><span lang="EN-US" style="mso-bidi-font-family: "Times New Roman";"><i>Jankowski is making his
way into German literature</i>...</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ascii-font-family: "Liberation Serif";">”</span><span lang="EN-US" style="mso-bidi-font-family: "Times New Roman";"> (Sabine Neubert, ND-Kultur)</span></div>
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Martin Jankowskihttp://www.blogger.com/profile/04047458871849353872noreply@blogger.com0tag:blogger.com,1999:blog-3630083524458651086.post-86413288355029178002014-09-21T18:35:00.001+02:002014-09-21T18:37:36.118+02:00On Indonesian Literature ...<div dir="ltr" style="text-align: left;" trbidi="on">
<div style="text-align: justify;">
<span class="" id="result_box" lang="en"><span class="hps">With</span> <span class="hps">Indonesia</span>, a <span class="hps">country</span> <span class="hps">will present</span> itself <span class="hps">as guest of honor</span> <span class="hps">at the Frankfurt</span> <span class="hps">Book Fair</span> <span class="hps">in the fall of</span> <span class="hps">2015</span> (the world's lagest book fare in general), wich's <span class="hps">literature</span> <span class="hps">in</span> <span class="hps">the Western</span> <span class="hps">perception plays</span> <span class="hps">only a minor role</span> <span class="hps">and</span> <span class="hps">is a</span> <span class="hps">widely unknown</span> <span class="hps">in</span> <span class="hps">the</span> global<span class="hps"> literature</span>. <span class="hps">This </span>> big <span class="hps">Unknown</span> <span class="hps atn"><</span><b> Martin <span class="hps">Jankowski</span> </b><span class="hps">approaches</span> <span class="hps">in his <i>new book</i></span> <span class="hps">»<b>Reading Indonesia</b></span>" <span class="hps">by various essays and interviews</span> <span class="hps">and</span> takes <span class="hps">a closer look at</span> <span class="hps">the</span> <span class="hps">stylistically and</span> <span class="hps">geographically</span> <span class="hps">extremely</span> <span class="hps">high contrast</span>ed <span class="hps">heterogeneous</span> <span class="hps">literary landscape</span> <span class="hps">of the country.</span> <span class="hps">Discussions</span>, articles and <span class="hps">essays</span> <span class="hps">(2002-2014)</span> <span class="hps">explore the</span> <span class="hps">social</span> <span class="hps">background of</span> <span class="hps">the Indonesian</span> <span class="hps">literature's</span> <span class="hps">cultural</span> <span class="hps">complexity</span> <span class="hps">and</span> <span class="hps">provide</span> <span class="hps">an introductory</span> <span class="hps">overview of this</span> <span class="hps">overwhelmingly large</span> <span class="hps">scene</span>. </span></div>
<span class="" id="result_box" lang="en"><br /><span class="hps">Release</span> <span class="hps">date</span>: <span class="hps">17 September 2014. (</span></span><span class="" id="result_box" lang="en"><span class="hps"><span class="product-field-display">195 pages, paperback, size 210 x 130 mm, ISBN 978-3-940132-66-6</span>, In German language. <a href="http://www.regiospectra.de/en/books/asia/southeast-asia/indonesia/indonesien-lesen-detail" target="_blank">MORE.</a>)</span></span><br />
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Martin Jankowskihttp://www.blogger.com/profile/04047458871849353872noreply@blogger.com0tag:blogger.com,1999:blog-3630083524458651086.post-3049980050636176682014-08-20T12:27:00.002+02:002014-08-20T12:27:55.807+02:00Wer ist Juan Antonio Sánchez? <div dir="ltr" style="text-align: left;" trbidi="on">
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<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/2K0ZVE5gQ1s?feature=player_embedded' frameborder='0'></iframe></div>
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Martin Jankowskihttp://www.blogger.com/profile/04047458871849353872noreply@blogger.com0tag:blogger.com,1999:blog-3630083524458651086.post-66366750804738126692014-07-17T12:59:00.002+02:002014-07-17T13:00:07.072+02:00los muebles - summer song<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://www.youtube.com/watch?v=BPFWl6NReTA" target="_blank"><object class="BLOGGER-youtube-video" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" data-thumbnail-src="https://ytimg.googleusercontent.com/vi/5FaGKlU_6tE/0.jpg" height="266" width="320"><param name="movie" value="https://youtube.googleapis.com/v/5FaGKlU_6tE&source=uds" /><param name="bgcolor" value="#FFFFFF" /><param name="allowFullScreen" value="true" /><embed width="320" height="266" src="https://youtube.googleapis.com/v/5FaGKlU_6tE&source=uds" type="application/x-shockwave-flash" allowfullscreen="true"></embed></object></a></div>
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Martin Jankowskihttp://www.blogger.com/profile/04047458871849353872noreply@blogger.com0tag:blogger.com,1999:blog-3630083524458651086.post-45330605704743168102014-07-09T11:35:00.000+02:002014-07-09T11:35:00.129+02:00bossa nova berlim - for my brazilian friends <div dir="ltr" style="text-align: left;" trbidi="on">
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<br />
<div class="MsoNormal" style="line-height: normal;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif"; font-size: 12.0pt;">a<span style="mso-spacerun: yes;"> </span>festa dos segundos</span></b></div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal;">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt;">as ruas dançam nuas e azuis<br />
a hora tem o gosto quente do chá que revigora<br />
as lâmpadas brilham ensolaradas como um bosque no outono<br />
e as idéias têm o frescor da neve da manhã<br />
tão-somente com as mãos limpamos os sentidos<br />
embaçados como janelas pela chuva ácida<br />
vagamos irrefreáveis pelo oceano do tempo<br />
e pressentimos que a tempestade não vai passar<br />
não vai passar</span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal;">
<span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">do rádio despenca o silêncio<br />
na cabeça rouco e cósmico arde o jazz<br />
tecemos um agasalho com a poeira<span style="mso-spacerun: yes;"> </span>das
ruas<br />
e celebramos a festa dos segundos<br />
a dama para quem recordar é dever<br />
entristece e fica rija como sal<br />
rimos e dançamos em torno da estátua<br />
e por fim explode o coração</span></div>
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<br /></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">sobre a mesa uma conta que rasgamos<br />
e<span style="mso-spacerun: yes;"> </span>vivemos então nossos desejos<br />
não ligamos para a ditadura da maioria<br />
a esperança como princípio é prejuízo<br />
por quanto tempo devemos esperar<br />
por paraísos futuros prometidos<br />
enquanto silenciosos e inexplorados<br />
os melhores dias passaram<br />
passaram</span></div>
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<br /></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">não não as ruas dançam nuas e azuis<br />
a hora tem o gosto quente do chá que revigora<br />
as lâmpadas brilham ensolaradas como bosque no outono<br />
e as idéias têm o frescor da neve da manhã<br />
</span><span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">
<span style="font-size: x-small;"><b><i>(tradução
de Carlos Abbenseth e Antonio Martins)</i></b></span></span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://2.bp.blogspot.com/-7u0nlgep4vY/U70L-ahdo1I/AAAAAAAAAdA/NLuYnL61DC8/s1600/gedichttreppe2.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-7u0nlgep4vY/U70L-ahdo1I/AAAAAAAAAdA/NLuYnL61DC8/s1600/gedichttreppe2.JPG" height="640" width="480" /></a></div>
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Martin Jankowskihttp://www.blogger.com/profile/04047458871849353872noreply@blogger.com0tag:blogger.com,1999:blog-3630083524458651086.post-76216895573261560752014-04-03T15:21:00.000+02:002014-04-03T15:22:05.241+02:00RIMBAUD ON JAVA<div dir="ltr" style="text-align: left;" trbidi="on">
<i><span style="font-size: xx-small;">rimbaud on java</span></i><br />
<br />
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Martin Jankowskihttp://www.blogger.com/profile/04047458871849353872noreply@blogger.com0tag:blogger.com,1999:blog-3630083524458651086.post-44431640114065318362014-02-27T17:58:00.003+01:002014-02-27T17:58:54.638+01:00the GOD of GUITAR died<div dir="ltr" style="text-align: left;" trbidi="on">
<div style="text-align: center;">
paco de lucia ... sitting on the clouds, his music in our brains & hearts for eternety. </div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/oABACBhmhCg?feature=player_embedded' frameborder='0'></iframe></div>
<br /></div>
Martin Jankowskihttp://www.blogger.com/profile/04047458871849353872noreply@blogger.com0tag:blogger.com,1999:blog-3630083524458651086.post-89869077816287594382014-02-05T14:27:00.001+01:002014-02-05T14:27:34.347+01:00amour <div dir="ltr" style="text-align: left;" trbidi="on">
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<i style="mso-bidi-font-style: normal;"><span lang="FR-CH" style="font-size: 8.0pt; line-height: 115%;">(Deutsch "stillen", in: </span></i><a href="http://l-lv.de/shop/index2.htm?group=15&itemid=678" target="_blank"><span style="mso-bidi-font-style: normal;"><span lang="FR-CH" style="font-size: 8.0pt; line-height: 115%;">"sekundenbuch", Leipzig 2012</span></span></a><i style="mso-bidi-font-style: normal;"><span lang="FR-CH" style="font-size: 8.0pt; line-height: 115%;">)<br />Übertragung (c) Marie Fleury.</span></i></div>
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Martin Jankowskihttp://www.blogger.com/profile/04047458871849353872noreply@blogger.com0tag:blogger.com,1999:blog-3630083524458651086.post-53334096713693339982014-01-30T21:10:00.000+01:002014-02-01T13:31:03.161+01:00(some arguments) why i don't like facebook <div dir="ltr" style="text-align: left;" trbidi="on">
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Thanks, Derek Müller!</div>
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Martin Jankowskihttp://www.blogger.com/profile/04047458871849353872noreply@blogger.com0tag:blogger.com,1999:blog-3630083524458651086.post-1420080202105615262014-01-21T13:14:00.000+01:002014-01-21T13:16:17.291+01:00beyond the time (offline pirates)<div dir="ltr" style="text-align: left;" trbidi="on">
<span class="" id="result_box" lang="en"> <span class="hps">bite</span> <span class="hps">your</span> <span class="hps">chip</span> <span class="hps"> </span></span><br />
<span class="" id="result_box" lang="en"><span class="hps">off the</span> <span class="hps">sub</span> <span class="hps">skin</span> <br /><span class="hps">its</span> <span class="hps">so incredibly</span> <br /><br /><span class="hps">easy to</span> <span class="hps">escape</span>: <br /><span class="hps">hook</span> <span class="hps">enter</span> <br /><span class="hps">black</span> <span class="hps">& out</span></span><br />
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Martin Jankowskihttp://www.blogger.com/profile/04047458871849353872noreply@blogger.com0tag:blogger.com,1999:blog-3630083524458651086.post-26764475724059404292014-01-17T14:12:00.000+01:002014-01-17T14:31:43.289+01:00COSMIC JAZZ 2: Johann Ludwig Bach ("der Meiniger")<div dir="ltr" style="text-align: left;" trbidi="on">
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overwhelmingly GENIAL and not sad at all: </div>
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<b>Meine Bande sind zurissen</b></div>
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<b> <a href="http://de.wikipedia.org/wiki/Johann_Ludwig_Bach" target="_blank"> Johann Ludwig Bach</a></b> (1677 - 1731)</div>
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Martin Jankowskihttp://www.blogger.com/profile/04047458871849353872noreply@blogger.com0tag:blogger.com,1999:blog-3630083524458651086.post-37835383499897962112014-01-02T17:32:00.002+01:002014-01-02T17:32:52.801+01:00Cosmic Jazz - A SECRET MESSAGE FROM Johann Sebastian BACH! <div dir="ltr" style="text-align: left;" trbidi="on">
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Martin Jankowskihttp://www.blogger.com/profile/04047458871849353872noreply@blogger.com0tag:blogger.com,1999:blog-3630083524458651086.post-56622503414540604002013-12-10T20:00:00.000+01:002013-12-10T20:10:15.030+01:00Digital Totalitarianism<div dir="ltr" style="text-align: left;" trbidi="on">
Join the manifest:<br />
<a href="http://www.change.org/petitions/a-stand-for-democracy-in-the-digital-age-3" target="_blank"><img alt="A STAND FOR DEMOCRACY IN THE DIGITAL AGE" height="175" src="http://change-production.s3.amazonaws.com/photos/3/by/sw/fobySwADfryjyuv-556x313-noPad.jpg?1386652717" title="A STAND FOR DEMOCRACY IN THE DIGITAL AGE" width="320" /></a><br />
In the 80ies me and my family were observed and under pressure of the East-German secret service <a href="http://en.wikipedia.org/wiki/Stasi" target="_blank">STASI</a>. All my American and British friends were shocked of what these non-democratic tool of opression did to us during the Cold War. Now, long time after the Cold War has ended, the secret services of the USA and the UK start to observe us all without any democtratic legality and control. Is it really the year of 2013, dear friends?! If <a href="http://en.wikipedia.org/wiki/PRISM_%28surveillance_program%29" target="_blank">the Anglo-American secret services (supported by Canada, New Sealand and Australia)</a> and their illegal disctruction of all our data privacy become international then also our demand for democratic control of those dubious institutions must become international ...<br />
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No clandestine <a href="http://www.blogger.com/null" title="Mass surveillance">mass</a> <a class="mw-redirect" href="http://www.blogger.com/null" title="Computer surveillance">electronic surveillance</a> <a href="http://www.blogger.com/null" title="Data mining">data mining</a>! Internet control must compeletly be controlled by democratic institutions like parliaments and official courts etc.! Save the internet, save the self-determination, save the freedom of each individuum!</div>
Martin Jankowskihttp://www.blogger.com/profile/04047458871849353872noreply@blogger.com0